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Antebellum, a Twilight Zone-ish thriller from the writing/directing duo of Gerard Bush & Christopher Renz, takes its time establishing itself as one thing before transitioning to something completely different. The non-chronological nature of ...

The Ballad of Jack and Rose is a low-key character study about a father and daughter whose idyllic lifestyle is interrupted by the arrival of three newcomers. Not much happens in this film beyond the evolution of the characters and their relationshi...

Contact is likely to change a lot of perceptions -- not only about the role of humankind in the universe, but about what special effects can do for a movie when they're used in the service of a story, rather than the other way around. Contact...

Donnie Darko, the debut feature from writer/director Richard Kelly, is part psychological thriller and part science fiction mystery. The title character (Jake Gyllenhaal), a teenager in his last year of high school, is suffering from all manner of ...

For Love of the Game, Kevin Costner's third baseball related movie, is appropriately named. Unlike the romantic comedy Bull Durham and the allegorical Field of Dreams, For Love of the Game requires a basic understanding of and affinity for basebal...

Have we reached a point where the term "young adult literature" has become pejorative? Have books like Twilight and its ilk promulgated a negative connotation? If Stephenie Meyer's scribblings represent an exhibition for the prosecution, perhaps Su...

At first glance, Inherent Vice might seem to be a detective story. Look a little closer, however, and it becomes clear that this is Paul Thomas Anderson's idea of a comedy. There's slapstick, lowbrow material, and enough strange characters an...

There's something seductive about the idea of turning one's back on civilization and all its trappings. Many of us entertain this thought during a daydream or in those gentle minutes between wakefulness and sleep, but we don't view it as the act of...

The Neon Demon isn’t only the title of this film, it’s a description of what it represents. Beneath the pulsating music and strobe-lit fluorescent visuals, this is as pernicious and invidious a motion picture as one is likely to discover ...

When Hollywood adapts, we get Bewitched and The Dukes of Hazzard. When the British film industry adapts, we get Shakespeare and Austen. This explains why there is another version of Pride & Prejudice to be digested. And, while nothing will come clo...

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